1981 Bielefeld, Germany. Lives in Berlin. He studied at the FH Bielefeld University, as well as at the London College of Communication, and graduated in 2011. Gehring’s work has been shown in international museums and galleries, most recently in Experimental at the Galeria Tagomago, Paris. He is represented by pavlov‘s dog gallery in Berlin.
Messages from the Darkoom, 2012
The photographic series Messages from the Darkroom investigates the connection between photography and the occult. Based on historical photographs
published by early twentieth century parapsychologist Dr. Albert von SchrenckNotzing, Messages from the Darkroom enquires the ability of the photographic camera to capture magical or paranormal phenomena.
Schrenck-Notzing, like many other scientists in this era of technical revolutions, when modern media began to make their first steps, was interested in occult phenomenona like mediumship and the physical exposures human trancemediums were said to be able to produce. By using a photographic camera he tried to give a solid proof for the occult phenomenons to be part of reality. He believed in the objectivity of the photographic image and its technique which allowed him to exclude any doubt or suspicion of human fraud. What we see as the result of his photographic experiments are rather obscure than illuminative images which are unique in the history of photography.
Messages from the Darkroom uses this ambivalent imagery of Schrenck-Notzing‘s historical photographs to ask if photography is sensitive enough to record supernatural phenomena. Between the desire to expose the supernatural and the acceptance of the technical impossibility to capture it, the work opens up a space of eventualities where analogies between the photographic technique and occult practices get visible: The darkroom turns into the séance-room just like the photocamera becomes the medium in trance. Eventually, the photographic technique, generally understood as a means of objectively capturing reality, is shown in a different light: it seems that during the photographic séance the camera reveals its own magical aura.